Tuesday, 21 September 2010
Up and Down the Dhauladhar Day 2
Rain fell in violent gusts all night. It had become quite cold. I was more or less comfortable in my foam sleeping bag, but Oli was shivering in her flimsy sack, and KP was positively suffering. He'd caught a cold and the previous day's sudden gain in altitude had not helped either. I gave him some analgesics to help ease his headache. At some point we managed to get some sleep.
Pic: Jagdish and shaggy dog wait in vain for the rain to abate. Picture taken by Bibek Bhattacharya
The day dawned with the weather in an even worse state. Everything was dank and gloomy and heavy rain was falling in a continuous sheet of loud grey. Outside, Triund was a sight of thick clouds being tossed about the ridge. Clearly there was no hope of making an early start for Laka. Gulab and Jagdish were already up and we were greeted with lovely cups of tea. While the others got up, I lazed around in my sleeping bag and dozed for a while before making my way to the kitchen. All our wet stuff was still wet so that was another thing to get used to. Jagdish's prognosis of the weather was not too good. He was skeptical of the rain stopping anytime soon and figured that the main nala that we'd have to cross between Laka and Lahesh would be in spate even if the weather did break later in the day.
We felt quite gloomy at this turn of events. Suppose we had to call off the trek? I couldn't bear thinking of that possibility, but we couldn't wait indefinitely at Triund either, waiting for the weather to turn and eating our way through our supplies.
It was pointless to sit around in the hut and mope. After a few biris smoked in companionable silence, Jagdish and Gulab wandered off to chat with other paharis. KP wandered off to get wet. He had gotten over the night's unease and that old familiar serenity had returned to his face. Oli was driven to distraction by his behaviour, but it seemed like a perfectly normal thing for him to do.
Every now and then the rain would slacken and I'd step out in the sloshy grass to take a few pictures of stormy Triund. And it was beautiful. Above us, nothing could be seen save the ghostly outlines of the Laka ridge, across which gossamer thin strips of cloud were being hurled by a strong East wind. The forest hut itself was protected from this onslaught by the main ridge of Triund. I climbed up this and was immediately buffeted by the wind as I struggled to keep my ears warm and camera working.
Pic: The Kangra Valley drowning in a sea of clouds. Picture taken by Bibek Bhattacharya
The Dhauladhar for all intents and purposes might not even have existed, so thick was that impenetrable curtain of clouds strung across its face. It occurred to me that since a brief glimpse of the Mon early the previous morning when we were rolling in to Dharamshala, I hadn't had a single view of the range. It was dispiriting, but my surroundings didn't allow me to dwell on this for too long,
Unless you go looking for it, its difficult to come across such an elemental scene of wild beauty. Facing the Laka ridge, to my west lay the steep path we had climbed to Triund. Far below, around the edge of a spur seemingly poised on the brink of a great plunge into the tangled construction of McLeodganj, hung the tiny Magic View Cafe. It kept wavering in and out of view as banks of clouds swallowed it up momentarily, and then, driven on by the wind, moved on leaving it visible again. High above that spur ran the wall-like broken ridge-top of Laka, dotted with weirdly contorted rhododendron and pine trees amidst extensive boulder gardens. To the east lay the thickly wooded valley of the Chauran nala, some 2,000 feet below, flowing down from under the south face of Mon. Looking down the mountainside into that mysterious shifting landscape of deep mist and thick vegetation and the occasional massive rocky outcrop was a thrill in itself.
Pic: Tendrils of cloud blow up the thickly wooded Chauran nala valley. Picture taken by Bibek Bhattacharya
However it was impossible to stand for too long in that driving rain and I ducked back down under the protective curtain of the ridge-top. It was afternoon now, and though the light had improved, the weather remained as bad as ever. Oli, the eternal pragmatist, was well into her carefully rehearsed acclimatisation routine. After a hearty breakfast, she had settled down to write. I had tried keeping a journal as well, but I tired after one page, and the notepad was too soggy to write in anyway.
KP had gone off in the rain to meet Sunil, and the great, wet shaggy dog who'd been a refugee at our doorway had also tired of the inactivity and had wandered off. Leaving Oli to her writing, I went to look for KP. Little mirrors to the sky had formed on the path along the ridge and I made my way through the wet grass to Sunil's shack. KP was sitting outside the shop, rolling. The interior of the shop was occupied by an excitable gaggle of English voices discussing ephemera, so I stood outside under the flapping tarpaulin, watching the capricious clouds play on the ridge above. One of Sunil's many (apparently) ponies wandered by, dutifully grazing. Scattered groups of cows ate their way up and down the grassy slopes, resembling for all the world massive, mobile vacuum cleaners.
I stood there spacing for what seemed like a very long time. I was feeling very lethargic for some reason, so I made my way back to the hut, only to find Oli in the second stage of her steady acclimatisation process- she was lying in her sleeping bag and trying to feel warm, while reading a book on rock climbing, and trying out different knots with a wee length of rope. It felt pretty funny, hanging out with these two mountain lovers with their radically different approach to life on the heights.
Me, I'm the worrying kind, and I'd been worrying a fair bit since we'd started the day before. And one of my main worries was this matter of acclimatisation.Thanks to my two visits to Tunganath last year, I had successfully breached the 4000 m barrier, but then that was nowhere near as physically taxing as this would be. Although I'd only mildly felt the effects of altitude back then, I wanted to be absolutely sure this time around. Also, KP just had to acclimatise, as he'd never been anywhere higher than Laka, which is approximately 3,200 m. So when Oli instructed me to lie down and take a nap, I obediently crept into my sleeping bag. As I drifted off to sleep, I heard KP calling Oli out. Apparently it had stopped raining.
As soon as I'd fallen asleep, it seemed, I was rudely awakened. It was Oli of course, in that cheerfully steely voice of hers, instructing me to get up and come for a walk. It turned out that I'd been soundly asleep for a good 45 minutes or so. In that time, the weather had cleared somewhat. Most importantly, it wasn't raining. Outside, it was quite gorgeous. The Dhauladhar was still hidden. However, the overhanging cloak of clouds had receded a fair bit and was now draped over the head of the range. The snow fields, mini glaciers and the ice colouirs that can be seen pretty much all the year round had melted into forceful waterfalls and streams. Just the sheer number of waterfalls coming down from the all-pervading cloud was quite mind-boggling.
The cloud canopy stretched out from its tether on the Dhauladhar all the way to the distant Punjab plains, shimmering blue in the afternoon. Sandwiching us from below was a vast sea of blue clouds, filling up the entirety of the Kangra valley.
Pic: Oli, KP and Gulab deep in conversation. Picture taken by Bibek Bhattacharya
Oli suggested that we climb some way in the direction of Laka, and so we did, picking our way up the steep trail, trying our best to outflank the copious shit that that the cows had been depositing all day. The weather was so fine, that the three of us seriously considered making a dash for Lahesh. Even Gulab, who'd joined us for the ramble, made some noises to that end.
Pic: Happy dogs keep watch on the Laka trail. Picture taken by Bibek Bhattacharya
Suddenly I looked up to see a grave furry face regarding us from a rocky outcrop. It was one of the Gaddi dogs- invariably called Tommy, or Johnny or Bhalu. We climbed up a bit higher till the point where the Triund spur united with its parent ridge of Laka. Oli bounded off ahead. She was obviously feeling this need to keep moving, but I, as usual, stopped to take yet another view of my surroundings. Closer now to the main range, I could get a good look at the giant flanks of the Dhauladhar. The mountainside was a jumble of massive rock falls and boulder fields. The rain-fed Chauran nala was gurgling down in the forested ravine below me. To the easte, running parallel to my Triund spur, were others much like it. Each of these ultimately lead up to the various passes that punctuate the main range. What fun it would be, I thought, to wander about these spurs, traversing the breadth of the range.
In fact, I'd been seriously thinking of turning our little project into a treeline trek, going all over the Southern face of the Dhauladhar. But that route just didn't possess the joy of crossing two passes, even if it would be a worthwhile way to explore the land. But I still held some hope that the weather and Indrahar would relent.
KP and Gulab were sitting a little way below me deep in conversation, brilliantly silhouetted by the blue cloud-sea that was the Kangra valley.
Pic: The Dhauladhar, smoking hard. Picture taken by Bibek Bhattacharya
Oli returned in a bit, looking as energetic as ever. Her exuberance is quite infectious, so we decided to climb up to the Tibetan prayer flags festooned at a point on top of the ridge that marks the area where the Triund spur merges with the Laka ridge. We'd gone a little way when we saw two figures bounding down the Laka track. They were an American hiker and his Gaddi guide. A shouted conversation with the guide ensued. They were returning from Lahesh and according to him, the trail was perfectly safe as of now. The nala that had so haunted our plans was in spate, but was crossable. According to him, we could still try for Lahesh.
This further added to Oli's restlessness and she rushed down to Triund to discuss this with Jagdish. He'd been full of doom the entire day, not trusting the weather- or was it our capability? Anyway, since it was getting on to 4 pm, and we weren't exactly travelling light, I thought it would be better to spend another night here and start tomorrow morning despite the weather.
It was a lovely afternoon to be at Triund, so me and KP sat around, chatted in fits and starts and took some pictures. Then we started down at an easy pace, while KP filled me in on Sunil's fifty horses and the envy this caused among the other paharis. A couple of years ago, when KP had first come to McLeodganj, some of his Gaddi friends had brought him up to Triund in a direct line that climbed the 3,000 feet from Bhagsu along the entire length of the Triund spur. Ridiculously steep in places, it had both enchanted and scared the living daylights out of KP. We decided to check it out.
We met Oli as she was coming up to us. She'd managed to get Jagdish to promise that we'd make an attempt to get to Lahesh the next morning. She seemed a lot calmer as a result. That particular load off our heads, we truly enjoyed ourselves for the next couple of hours, walking around on the beautiful rain soaked green turf of Triund while the world below us seemed to be drowning in an ocean of blue. Oli got me to climb some rocks too, and despite misgivings, I did fine, aided a good deal by my veteran boots which, after some eleven years of rough use, still retained a fantastic grip. KP, extremely disinterested in all this exertion, took to impersonating a human rocky outcrop. Every now and then I would see him standing on some rock, dramatically framed by the seething blue clouds, quietly contemplating the void.
Pic: KP contemplates the void. Picture by Bibek Bhattacharya
The wind was picking up, gently blowing tendrils of clouds from the layer below us to the one above. We sat in perfect silence, each of us lost in our own thoughts.
Before our eyes, the Mon began to do a striptease. At first only a ghostly outline, the high winds near its summit slowly blew away the clouds obscuring it from view. Presently the peak and a large portion of the summit ridge slowly revealed itself in all its stark, brooding glory.
Owing to the time of year, the snow-less Dhauladhar resembled a fortress made of tiers and tiers of black rock. Not for the last time, the scene reminded me of something out of Lord of the Rings. Indrahar was a tiny notch to the left of the peak, one that you'd easily miss if you weren't looking for it.
Pic: The Mon finally reveals itself; Indrahar Pass is the notch to the peak's left. Picture by Bibek Bhattacharya
From here the south face looked so sheer and perpendicular that the thought of actually being on it made me involuntarily shiver a bit. With the weather we were having, this looked like serious business. But instead of being freaked out, I felt a desperate urge to be on top of the damn thing. If I could've started out right then, I would have.
Meanwhile, Triund was having a regular day. After the day's 'Garbage In Garbage Out' the cows had retired. There was one standing motionless while a tourist filmed it. Young Johnson, a sweet Gaddi dog who'd been accompanying us all afternoon was trying to turf out the cow by barking furiously. The tea shops were buzzing with talk, laughter and endless cups of tea. Now that the day trippers had returned to McLeodganj, there was a fair degree of fellow feeling among those who'd stayed back.
Pic: Evening clouds climb ominously, with the Pong reservoir in the background. Picture by Bibek Bhattacharya
It was getting cold and windy, so we went back to our little hut. I was getting pretty fond of this little place, it felt like home. Gulab got some tea going while KP and Oli pottered about doing nothing in particular. I sat on a rock next to a blasted tree and spaced, looking out to the far distance where the massively swollen Pong reservoir was glittering blue. Then the thick clouds covering Kangra slowly started climbing up, ominously obliterating everything in their path. Spooky. Another evening of desultory conversation, dinner and early to bed. We would make an attempt to get to Lahesh cave the next day.
To be continued...
Tuesday, 31 August 2010
Up and Down the Dhauladhar Day 1
Our plan was to leave the next morning for Lahesh cave on the main range if the weather cleared for a bit. There were, of course, many factors that we had to take into consideration. The first was acclimatization. If we hoped to do the Indrahar crossing the day after, then it was of paramount importance that we acclimatised as quickly as possible. At a height of 4350 m, the pass was one of the highest in this pass-riddled range, and to try and cross this very exposed ridge in this treacherous weather without acclimatizing was unthinkable. The second most important factor was the weather itself. We could expect a lot of boulder scrambles over the next two days and to do so in the rain wouldn’t be a good idea. So we had to move whenever the rains let off a bit. Accounting for this, we had kept a couple of days in hand for unforeseen breaks, but now that we were on the move, I didn’t really wish to rest. We turned in quite early after a hearty meal of khichdi and prayed for a clear dawn.
To be continued...
Wednesday, 2 June 2010
Roerich's Himalaya
The collection that I never miss, however, is that of the Russian artist-philosopher-mystic-anthropologist-archaeologist-traveller Nicholas Roerich. His mountain paintings are unmatched in their breadth, depth and scope. Its almost like stepping into an alternate universe where mountains perform the roles of deity, habitat, scenery and a spiritual challenge all at once.
Pic: Kuluta 1936 (courtesy www.tanais.info)
And that's just on one level. At another, they are masterful studies in light and tone.

Pic: To Kailas, Lahul, 1932 (courtesy www.tanais.info)
Although Roerich has as distinct a style as any painter, no two mountain studies are similar, even when he's painting the same mountain from essentially the same vantage point, as these superlative studies of Kanchendzonga show.
In no other artist's depiction of mountains have I seen geography consistently appearing as fully fledged characters. To look at a painting like Nanda Devi is to drown in that mountain's divinity, sheer physical beauty, as well as the immense psychic power that she wields on the people who live in her shadow.
Pic: Nanda Devi 1944 (courtesy www.tanais.info)
The 6 prints I have from NGMA are part of Roerich's Himalayas series, which he contributed to sporadically over a period of roughly twenty years. This mammoth series alone has over 2,000 paintings- a testimony to Roerich's prolific output. All, this master painter created over 7,000 paintings over many other series, which is staggering by any standards. However, the quality of his work never suffered.
Pic: Krishna (Spring in Kulu) 1929 (courtesy www.tanais.info)
Pic: Sunset 1931 (courtesy www.tanais.info)
Roerich's interest in the range took many forms, each one mirroring one of his many pursuits. As a dedicated chronicler of culture both indigenous and shared, the plethora of disparate cultures and yet close cultural borrowings on both sides of the Himalayan crest fascinated him. He wrote,
"The Himalayas, in their full might, cross these uplands; behind them, rises the Kailasa, and still farther, Karakorum and the mountain kingdom crowned in the north by the Kuen Lun. Here also are the roads to the sacred Manasarowar: here are the most ancient paths of the sacred pilgrimage. In this region is also the Lake of the Nagas, and the lake Revalsar, the abode of Padma Sambhava. Here also are the caves of the Arhats, and the great abode of Siva, the Amarnath Caves; here are hot springs; here are the 360 local deities, the number of which testifies how essential are these very sites of the accumulation of human thought through many ages."
The Himalaya's greatest hold on Roerich, though, was in matters of the spirit. On completing his epic 1923-1928 expedition through Sikkim, Tibet, Kashmir, Ladakh, Siberia, Altai and Mongolia to collect and preserve cultural texts, he was so drawn to the great range that he set up both his home and his Himalayan Research Institute in Naggar in the Kulu valley. He considered the Himalaya a symbol of humanity's inherent hunger for transcendence through beauty and knowledge, a common cultural thread that he'd observed in his wide ranging travels. He called the range the "Treasure House of the Spirit."
His paintings do justice to that claim, like his study of the Chandrabhaga river or the unforgettable Ice Sphinx.
People appear only at the margins of his mountain canvases, but they're an important part of the whole, both grounding the soaring majesty of the backdrop as well as well as providing context for the allusive stories that he tells through his canvases.
Pic: Remember 1934 (courtesy www.tanais.info)
Some of them bear strong influences of his earlier Iconographic art- tropes and symbolism that he adapts marvelously for his latter paintings.
Pic: The Messenger, 1946 (courtesy www.tanais.info)
Over the years, you can see his style change. From real, tangible geography, his paintings seem to turn inwards, as he washes the paintings more, giving more of a hint of indistinctness and interpretive haze. They become even more metaphorical, but even then they're never anything other than mountains, because that's all they need to be in Roerich's paintings. It reminds me of the Zen Buddhist saying, "You look at the Void, and the Void looks back at you."
Pic: The Himalayas The Earth Yetis 1947 (courtesy www.tanais.info)
Even without delving too deep in his symbolism, its impossible not to come away from this huge and varied body of art without a profound sense of peace.
Pic: Castle in Ladakh 1933 (courtesy www.tanais.info)
And to think he did all this, as well as create the Roerich's Pact, and the theatrical designs for Stravinsky's Rite of Spring!
Friday, 28 May 2010
Moving Up
Priyo happily lit a biri to celebrate our successful journey to the half-way point while I went to the ticket counter to find a bus to Almora. Here the helpful Nainital conductor turned out to be a pretty clueless bloke. He insisted that Binsar is closer from Ranikhet than from Almora, and that we should try for a bus to Ranikhet instead. I consulted my handy Eicher road map (as well as the Nest & Wings state map) and found this claim impossible to believe. In this we were proved quite right. Everyone we asked at the bus stop was unanimous that Binsar is near Almora. It was only later that I found out that there is indeed another Binsar near Ranikhet, called Binsar Mahadev, but by no stretch is it the Binsar.
Some stray voices in the seething chaos helpfully informed us that the Delhi-Almora bus that we had missed in the morning had gotten delayed and had yet to reach Haldwani. So we rushed to the main road waiting for the mythic bus to appear, hoping against hope that we hadn't missed it a second time. We were desperate to keep moving, reach at least Almora by the end of day. A cry went up and sure enough, there it was, disgorging passengers. Feeling quite happy with ourselves, we parked our relieved haunches on it and breathed a sigh of relief.
Thursday, 27 May 2010
A Remarkable Man

Taking place shortly after Francis Younghusband's legendary overland spying trip and preceding the Younghusband-led invasion of Tibet, this is a fascinating account. Two things I'd like to share here, the first one a painting of the classic lower Eastern Kumaon view of the Himalayan crest, with the famous contours of Nanda Devi, Trishul and Nanda Kot rearing up like a feverish dream. The funny thing is, the peaks really do look like this in real life.

The second thing is the author's map of his travels, which is fascinating in the number of Indo-Tibetan passes it maps, as well as routes and natural features stretching parallel to the Tibetan-Nepalese border all the way to Everest.

He was working under the aegis of the Royal Geographical Society- definitely as a surveyor, maybe as a spy- and made many important discoveries on this trip, which included finding the sources of the Indus and the Tsang Po (Bramhaputra) rivers.

Pic: Two views of Lipu-Lekh pass; (above) the southern face, India and (below) the northern face, Tibet

Then there is a striking painting of Taklakot, the first fortified village on the Tibetan side of the pass, where the local Tibetan border and tax officials resided.

There's plenty more, including two very atmospheric renditions of of the twin holy lakes of Hindus and Tibetans- Rakhshas Tal (Langa Tso) and Mansarovar (Mapham Yutso). In the background of the Rakhshas Tal painting, you can see the Holy of Holies Mt Kailash (Gang Rinpoche) rising like a mystical lightning rod.

Landor was a fascinating man. Grandson of a British poet settled in Florence, he painted world leaders- from US President Benjamin Harrison to Czar Nicholas- and regularly hobnobbed with many more, including Queen Victoria and Franklin Roosevelt.

Almost certainly an agent of Empire in the Great Game, he was a success both on the trail and on the printed page, his best-selling books getting him lucrative lecture tours all over the world, and further travel opportunities, which suited this raconteur just fine. He seems to me that quintessential roving Englishman of the Empire, a witness to history.
Monday, 24 May 2010
Map Woes Part 4
I had to settle for the trekking maps. Next time I go, I’ll take a sheet of paper with ALL the sheet names I can think of, and then some. And this time, if they demur, I will HAVE to do the unethical thing and wave my press card at them!
But then, a few weeks ago, I found this! I’d heard of it before, but I had no clue that it was freely available.
These amazingly detailed topographical maps are the legendary Series U502, made by the US Army Map Service for, yes the US Army, back in 1955. That makes them 55 years old, but boy are they out of this world. These sheets are the real thing- at least in the absence of SOI sheets. And the sheer scope of it is massive too, covering the entire subcontinent, including
From what little of this vast map I’ve seen, most of the Himalayan regions seem to be pretty accurately mapped, at least after checking them against the others. And I can’t begin to describe the joys of learning the names of the many unforgettable places that I’ve seen in the mountains, and all that I’m yet to see. Entire ridge systems, rivers, towns have their names. Now these names might have gone out of use since all those years ago, but many of these I’ve managed to verify. The trend seems to be that of pretty accurate nomenclature.

Anyway, I’m completely in love. Oh, and finally, to end where I began, I now know the names of the eminences you see when you stand atop Chandrashila on a clear October day. It might be a meager victory, but to me that’s momentous!
And so, my map woes are at an end- at least until I renew the saga of SOI Topographical maps.











